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Though there were no features listed on the initial tracklist, the first four songs boasted surprise appearances from Andre 3000 and Kid Cudi, along with a motivational intro speech from Blac Youngsta - no album should be without one.
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The many delays that La Flame's devoted ragers suffered through were quickly forgotten when he began playing Birds in the Trap Sing McKnight for the first time live on his ".Wav" radio show. With him, his own skills as a rapper and singer have been less intriguing than his ability to include his most talented friends in on his ideas and be the driving force behind innovative collabs - not to mention his finesse behind the boards, too. In a time when it seems like most stars of his caliber are keeping the guest spots to a minimum, Scott has remained intent on maintaining a collaborative mindset. Travis Scott's debut album, last year's Rodeo, was packed with guest features, coming from the likes of Quavo, Future, Chief Keef, Justin Bieber, and more.
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Here are the 5 best guest features on the album, ranked. Scott creates a new environment for all featured artists and brings out a new side in each of them, yet the rookie stands out in a project crowded with seasoned elites.Like "Rodeo," "Birds in the Trap Sing McKnight" is another collaborative spectacle. Kendrick comes in unexpectedly with flows from “Untitled Unmastered,” creating interesting textures.ĭespite Scott’s limited thematic content, “Birds in the Trap Sing McKnight” is a solid sophomore album. In “Goosebumps,” Scott sings and raps cockily over an ethereal dream-like instrumental, “Yeah, we gon’ do some things, some things you can’t relate / Yeah, ’cause we from a place, a place you cannot stay.” He creates and exudes superiority, asserting his place as an important figure in the hip-hop game. In “Birds,” Scott manifests dual musical ideas and switches between emotions seamlessly.
#Travis scott birds in the trap full
The 14-track album is an emotional roller coaster, a step up from Scott’s unorganized freshman album “Rodeo,” full of too-long tracks with dramatic changes halfway through. This juxtaposition creates a dichotomy of conflicting emotion: You want to dance and simultaneously drown in your own misery - a staple of Scott’s sound. Forest, a poppy instrumental is juxtaposed with a heavy chorus including vocals by all three artists. With Scott’s opening bar being “Nightmares, high life, sleepy, night night,” drugs become the only recurring theme in “Birds.” Although he lacks any sort of overarching message in his music, Scott communicates his drug-addict persona as something he struggles with. Underground rapper Nav brings a generic rap sound to “Biebs in the Trap.” Fortunately, the catchy hook and Scott’s charisma pull out Nav’s half of the song from being a trap anthem, where Scott and Nav do not hold back from drug references. It eventually grows into a metallic symphony with overdriven guitars and swelling violins.ĭespite their variety, each contributor on the album manages to hit a traditional triplet flow or auto-tune rap similar to the sound that Future pioneered. “Way Back” transitions from an uptempo track into a “808s & Heartbreaks”-sounding track. Overall, each track on “Birds” blends seamlessly into the next due to smart executive production by Scott himself - a dark, detuned synth extends throughout. A smooth transition into “Way Back” follows. On first listen, you may not even recognize that André 3000 is rapping. In the first track “The Ends,” Scott abstains from his usual auto-tuned vocals in exchange for some solid rapping. Scott is known for his delinquency and wild stage presence, and those mannerisms emerge out of the dark trap stew that he hosts in “Birds.” After the success of his debut album “Rodeo,” Travis Scott delivers grunge-trap and dark textures on his second studio album “Birds in the Trap Sing McKnight.” Heavily criticized as under-developed, the 24-year-old Scott establishes his place in the hip-hop scene with “Birds.” Despite appearances by big names like The Weeknd, Young Thug, Cassie, Kid Cudi, Swizz Beatz, Bryson Tiller, André 3000 and Kendrick Lamar, Scott maintains the spotlight on this album.